Artwork description:

This photographic series evolves from an interest in surfaces under stress, weathering, deterioration and decay. Dis/Integration is an exploration and exposition of the process in which distress and decay in themselves create beauty, and reflect truths which extend beyond the surface. Shot on the East Anglian coast, these are the rusted and decaying sea defences which are our attempt to hold back time and tide in an area which is undergoing a constant assault from water and weather, and suffering serious and seemingly unstoppable erosion and destruction.

These images represent in abstracted close-up the inevitable and inexorable decomposition of the manufactured and also the natural world, a constant reminder that everything created is ultimately destroyed, that birth is the beginning of a journey with only one possible outcome, that despite the advance of civilisation and technology the power of nature remains always outside our control.

So, the question becomes whether we despair at our lack of ability to control our ultimate destiny or that of our creations, or accept the transience inherent in our existence and celebrate the moments we experience and the beauty within them. The Dis/Integration series is therefore an invitation to experience every moment as fully as we are able and focus on the things we can control instead of the things we can't, in the knowledge that our time is short.

Limited edition of 25 prints across all sizes and finishes. Each print is individually hand-signed and numbered.

The photograph is available either as unmounted prints in a range of sizes from 12x8 inches [30x20cm approx.] to 24x16 inches [61x41cm approx.], and also in ready-to-hang options of 18x12 inch [46x30cm approx.] traditional gallery wrap canvas or modern aluminium mounting. All are produced by an award-winning lab using only the finest quality materials.

In addition to this aluminium-mounted option, unmounted prints of this piece are available in 12x8in (£60), 15x10in (£80), 18x12in (£100), 24x16in (£125). Also available as gallery-wrap canvas (18x12in £160).

Please contact me to request size or finish options not already in my store. Or if you don't see the size and/or finish you want, please get in touch...other options may be available.

Unmounted prints come on Hahnemühle FineArt Pearl 285 g/m² paper (or equivalent as appropriate), printed with Epson Ultrachrome K3 pigment inks for true museum quality and colourfastness certified for 100 years. These are absolutely the finest quality prints to be found, used by professional photographers when only the best will do, and loved by art collectors for their stunning detail in highlight and shadow as well as depth of tone. All prints come with a wide border for easy mounting and framing.

Gallery wrap canvas prints are produced using the same Epson K3 inks as my paper prints, on heavyweight 100% cotton canvas, to create pieces with richness and luminosity along with a wonderfully tactile texture. They are stretched onto a frame made from sustainable wood, reinforced for stability and fitted with robust metal fixings for easy hanging

Aluminium mounting is the ultimate ready-to-hang enhancement to your home decor, a spectacular image and a sleek and modern mounting system which creates a stunning piece of gallery standard artwork. The photograph is professionally lab-printed onto Fuji Crystal Archive DPII paper using a traditional photo-chemical process, then mounted and sealed on a 3 layer aluminium substrate (for superb stability and warp-resistance). Finally, a UV-protective coating is applied to protect the print. Wall-fixings are pre-fitted, so the piece is ready to hang straight away.

Please be aware that quality of this kind takes a little time. Turnaround times vary from 7 business days for unmounted prints to 10 business days on average for canvas and aluminium mounting, after which I take delivery of the work for inspection before shipping to you. Guaranteed to be worth the wait!

Materials used:

Print on Fuji Crystal Archive Photo paper, mounted on Aluminium substrate, UV protective coating

Tags:
#abstract #coast #rust #metal #decay #east anglia #surface #corrosion #sea defences #iridescent colours 

Dis/Integration XX - 18x12in Aluminium Mounted (2009)

Photograph 
by Justice Hyde

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£185

  • Photograph on Paper on board
  • From a limited edition of 25
  • Size: 30 x 46 x 0.51cm (framed) / 30 x 46cm (actual image size)
  • Framed and ready to hang
  • Signed and numbered on the back
  • Style: Organic
  • Subject: Abstract and non-figurative

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Artwork description
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This photographic series evolves from an interest in surfaces under stress, weathering, deterioration and decay. Dis/Integration is an exploration and exposition of the process in which distress and decay in themselves create beauty, and reflect truths which extend beyond the surface. Shot on the East Anglian coast, these are the rusted and decaying sea defences which are our attempt to hold back time and tide in an area which is undergoing a constant assault from water and weather, and suffering serious and seemingly unstoppable erosion and destruction.

These images represent in abstracted close-up the inevitable and inexorable decomposition of the manufactured and also the natural world, a constant reminder that everything created is ultimately destroyed, that birth is the beginning of a journey with only one possible outcome, that despite the advance of civilisation and technology the power of nature remains always outside our control.

So, the question becomes whether we despair at our lack of ability to control our ultimate destiny or that of our creations, or accept the transience inherent in our existence and celebrate the moments we experience and the beauty within them. The Dis/Integration series is therefore an invitation to experience every moment as fully as we are able and focus on the things we can control instead of the things we can't, in the knowledge that our time is short.

Limited edition of 25 prints across all sizes and finishes. Each print is individually hand-signed and numbered.

The photograph is available either as unmounted prints in a range of sizes from 12x8 inches [30x20cm approx.] to 24x16 inches [61x41cm approx.], and also in ready-to-hang options of 18x12 inch [46x30cm approx.] traditional gallery wrap canvas or modern aluminium mounting. All are produced by an award-winning lab using only the finest quality materials.

In addition to this aluminium-mounted option, unmounted prints of this piece are available in 12x8in (£60), 15x10in (£80), 18x12in (£100), 24x16in (£125). Also available as gallery-wrap canvas (18x12in £160).

Please contact me to request size or finish options not already in my store. Or if you don't see the size and/or finish you want, please get in touch...other options may be available.

Unmounted prints come on Hahnemühle FineArt Pearl 285 g/m² paper (or equivalent as appropriate), printed with Epson Ultrachrome K3 pigment inks for true museum quality and colourfastness certified for 100 years. These are absolutely the finest quality prints to be found, used by professional photographers when only the best will do, and loved by art collectors for their stunning detail in highlight and shadow as well as depth of tone. All prints come with a wide border for easy mounting and framing.

Gallery wrap canvas prints are produced using the same Epson K3 inks as my paper prints, on heavyweight 100% cotton canvas, to create pieces with richness and luminosity along with a wonderfully tactile texture. They are stretched onto a frame made from sustainable wood, reinforced for stability and fitted with robust metal fixings for easy hanging

Aluminium mounting is the ultimate ready-to-hang enhancement to your home decor, a spectacular image and a sleek and modern mounting system which creates a stunning piece of gallery standard artwork. The photograph is professionally lab-printed onto Fuji Crystal Archive DPII paper using a traditional photo-chemical process, then mounted and sealed on a 3 layer aluminium substrate (for superb stability and warp-resistance). Finally, a UV-protective coating is applied to protect the print. Wall-fixings are pre-fitted, so the piece is ready to hang straight away.

Please be aware that quality of this kind takes a little time. Turnaround times vary from 7 business days for unmounted prints to 10 business days on average for canvas and aluminium mounting, after which I take delivery of the work for inspection before shipping to you. Guaranteed to be worth the wait!

Materials used:

Print on Fuji Crystal Archive Photo paper, mounted on Aluminium substrate, UV protective coating

Tags:
#abstract #coast #rust #metal #decay #east anglia #surface #corrosion #sea defences #iridescent colours 
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Justice Hyde

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Location United Kingdom

About
Justice Hyde is a photographic artist based in North West England. Largely self-taught, his work incorporates multiple strands: explorations of mortality through abstracted images of deteriorated surfaces both natural and... Read more

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