Artwork description:

Limited edition artwork on museum-quality Hahnemühle Bamboo FineArt Paper (290 gsm, 90% bamboo fibers, 10% cotton), signed and numbered on the front and on the back, embossed with an authenticity stamp, comes with a signed and numbered certificate of authenticity.

Story & Message:

Whatever you create, build, or give birth to will eventually disintegrate and dissolve. This thought can be both depressing and liberating at the same time.

From my project “Multiverse”:

“The best things happen by chance. Spontaneity and improvisation, and intuition are three of the most important tools in any artist’s studio. And the fourth most important tool is trust. You have to trust what you’re doing. I had trust that this was gonna work — and I was right.” - Larry Bell.

Using and transforming Larry Bell's "Bill and Coo at MOCA’s Nest" this project is inspired and built around the ideas of the multiverse, the infinity of multitude, but most importantly the phenomena and notion of entropy, the fact that everything in the universe is heading towards chaos. This is of course a very frightening idea to the human brain, which is wired to try and create some order out of the messy world around us. There’s a constant opposition between the entropy of life and the human brain’s desire to find structured patterns to survive. We want to create order from the constant chaos in which we live, yet it’s impossible by definition and the essence of things. There wouldn't be life if there were no entropy. Still, we choose to chase the illusion of this possibility. Why? Maybe this is also “by design”, and we do it because our endless attempts are just contributing to the universal entropy of everything without us realizing it.

Available in sizes and editions:
50 x 50 cm (19.7 x 19.7 in.) - 4
110 x 110 cm (43.3 x 43.3 in.) - 4

My Style: Psychorealism
My works are a depiction of psychological and emotional states, whether existing or desired. I strive to show the reality of what’s going on in people’s psyche, their very real but invisible inner world. I want to make the unseen tangible. Thus I aestheticize emotional states and hope that some difficult emotions become a bit easier to accept and live with for anyone who interacts with my art in any way, be it on a wall or a device screen.
My psychorealistic pieces become windows into spiritual homes for my viewers. I mean for my artworks to be spaces, where my viewers can feel safe, relaxed, and in control. Those windows and doors are indispensable especially when one is going through life challenges, whatever they may be.

Materials used:

Museum-quality Hahnemühle Bamboo FineArt paper (290 gsm, 90% bamboo fibres, 10% cotton)

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