This print is the artist's proof.
Commissioned for the cover of the "United States Dressage Federation" magazine Connections, it was inspired by "The Vitruvian Man" by Leaonardo da Vinci circa 1487. This could be considered the "Canon of Proportions" for the horse performing the dressage movement piaffe. It is based on the correlations of ideal horse proportions with geometry. It exemplifies the blend of art and science during the Renaissance.
Winning painting/illustration of the American Horse Publications Annual Awards, First Place in Illustration for "Da Vinci Horse", 2007. This print shows an anatomically accurate transparent horse and skeleton.
Matted professionally in a 16 X 16" mat with silver inset and backing. Archival.
Giclee print, matted and lined with silver mat, backed.
3 Artist Reviews
£118.1
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This print is the artist's proof.
Commissioned for the cover of the "United States Dressage Federation" magazine Connections, it was inspired by "The Vitruvian Man" by Leaonardo da Vinci circa 1487. This could be considered the "Canon of Proportions" for the horse performing the dressage movement piaffe. It is based on the correlations of ideal horse proportions with geometry. It exemplifies the blend of art and science during the Renaissance.
Winning painting/illustration of the American Horse Publications Annual Awards, First Place in Illustration for "Da Vinci Horse", 2007. This print shows an anatomically accurate transparent horse and skeleton.
Matted professionally in a 16 X 16" mat with silver inset and backing. Archival.
Giclee print, matted and lined with silver mat, backed.
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