This painting takes a look back at two paintings from 2015, The Conversation, and The Dance and Conversation II from 2020. Using the motifs of modern abstract art, I employed hard-edged, minimal, geometric and Cubist shapes, triangles, circles, and curved totemic forms. I attempted to create a dynamic composition with contrasting colors including yellow ochre, light magenta, powder blue, pale mauve, grays, pale pink, red, orange and burnt umber among other colors. This painting continues my interest in using the iconography of past painting schools such as non objective abstraction, geometric hard edge and minimalism.
Painted on archival cotton duck gallery wrapped canvas with a 1 1/2 inch depth edge painted white. Wired on the back, ready to hang. Titled, dated, and signed on the reverse.
Acrylic paint, matte medium, gesso, satin varnish
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£1,581.36
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This painting takes a look back at two paintings from 2015, The Conversation, and The Dance and Conversation II from 2020. Using the motifs of modern abstract art, I employed hard-edged, minimal, geometric and Cubist shapes, triangles, circles, and curved totemic forms. I attempted to create a dynamic composition with contrasting colors including yellow ochre, light magenta, powder blue, pale mauve, grays, pale pink, red, orange and burnt umber among other colors. This painting continues my interest in using the iconography of past painting schools such as non objective abstraction, geometric hard edge and minimalism.
Painted on archival cotton duck gallery wrapped canvas with a 1 1/2 inch depth edge painted white. Wired on the back, ready to hang. Titled, dated, and signed on the reverse.
Acrylic paint, matte medium, gesso, satin varnish
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