It's the second piece in this series where I explore transforming and abstracting likeness by means of geometric rythm.
Experimental abstract monoprint using water based inks on japanese Hosho Kozo paper
signed and titled on the front underneath the image
intaglio printing inks on Japanese Hosho mulberry paper
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It's the second piece in this series where I explore transforming and abstracting likeness by means of geometric rythm.
Experimental abstract monoprint using water based inks on japanese Hosho Kozo paper
signed and titled on the front underneath the image
intaglio printing inks on Japanese Hosho mulberry paper
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