Original artwork description:

acrylic, painted paper, painted trace paper, printed paper, printed trace paper and paper cut-outs on corrugated cardboard

one of a series of mixed-media studies for a larger painting on paper.
included in Issue 13 of Inside Artists Magazine (summer 2018)
and feautered in ARTDEX stories interview

it examines/revolves around concepts/ideas of FRAGMENTATION, INSTABILITY, INTERFERENCE and INTERACTION among shapes, forms and fields

it employs operations such as geometric and chromatic REDUCTION, SIMPLIFICATION, SUPERIMPOSING, JUXTAPOSITION, REORGANIZATION

Materials used:

acrylic, painted paper, painted trace paper, printed paper, printed trace paper and paper cut-outs

Tags:
#abstract #acrylic #geometric #mixed-media #polychromatic 

chromogeometric fragmented interference (from superimposed reductions) 001 - study 07 (2017) Mixed-media painting
by Riccardo Liotta

£454.56 Alert

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Original artwork description
Minus

acrylic, painted paper, painted trace paper, printed paper, printed trace paper and paper cut-outs on corrugated cardboard

one of a series of mixed-media studies for a larger painting on paper.
included in Issue 13 of Inside Artists Magazine (summer 2018)
and feautered in ARTDEX stories interview

it examines/revolves around concepts/ideas of FRAGMENTATION, INSTABILITY, INTERFERENCE and INTERACTION among shapes, forms and fields

it employs operations such as geometric and chromatic REDUCTION, SIMPLIFICATION, SUPERIMPOSING, JUXTAPOSITION, REORGANIZATION

Materials used:

acrylic, painted paper, painted trace paper, printed paper, printed trace paper and paper cut-outs

Tags:
#abstract #acrylic #geometric #mixed-media #polychromatic 
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Riccardo Liotta

Location Italy

About
abstract art characterized by dynamic, angular geometries, contrasting shapes, overlapping polychromatic polygons, vibrant colors, sharp lines, and graphics elements. eigencompositions and linear transformations, derived from the application of mathematical formulas and geometric principles,... Read more

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