Symbolist/gestural work from a few years ago that I feel comes as a very accurate image in context of the 'Portraits from the precipice' exhibition.
The human - complicated and astray, worn out by the harsh history of hardships we all carry in our collective memory and our very genes. And -in form of the white bird - the nature - ever pure, perfect and complete in its simplicity. Even despite such mistreatment it received from us, humans. And still trustful and reaching out to us - for nature is what we are.
We need to wake up and start caring before the damage goes to deep.
Oil on CansonEdition coton fibre paper. The painting is framed and ready to hang (paper mounted on a backing board and framed in a black wooden floatframe)
oil paint
74 Artist Reviews
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Symbolist/gestural work from a few years ago that I feel comes as a very accurate image in context of the 'Portraits from the precipice' exhibition.
The human - complicated and astray, worn out by the harsh history of hardships we all carry in our collective memory and our very genes. And -in form of the white bird - the nature - ever pure, perfect and complete in its simplicity. Even despite such mistreatment it received from us, humans. And still trustful and reaching out to us - for nature is what we are.
We need to wake up and start caring before the damage goes to deep.
Oil on CansonEdition coton fibre paper. The painting is framed and ready to hang (paper mounted on a backing board and framed in a black wooden floatframe)
oil paint
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