Artwork description:

Since ancient times, the green bamboo, as a symbol of moral fortitude, has boasted the literary style of a Junzi (Confucian gentleman) characterized by humble-mindedness and upward-striving. It stands straight yet pliable, constantly reaching for the sky, its hollowness signifying an open heart eager to learn and progress. The white deer, like a celestial envoy descended from mythical realms, represents traditional auspiciousness. With its delicate form and gentle mien, its beauty is as ethereal and graceful as a fairy's dance, gliding through an idyllic landscape.
The artwork presents a blended entity of the contemplative deer and the vibrant green bamboo. Here, the deer seems to have found its tranquil sanctuary among the bamboos, their union more than a mere visual combination but a confluence of cultural essences. It aims to capture the auspicious omen of prosperity and good fortune ascending step by step, just like the climbing of the bamboo, and the life-cherished value of looking back on the past, as if the deer is reminiscing its old haunts. In this artistic portrayal, viewers are invited to sense the intertwined threads of hope for a prosperous future and the nostalgic longing for the roots that ground us, encapsulating the profound and nuanced spirit of the East.

---------------------------------------------------------------------------------------------------------------------

Sculpture is a profession in a narrow sense, and it's more about shaping life in a broader sense. Works reflect character. We shape them, and they also subtly shape us. What matters is the spiritual core they convey to people.
"Purist", in Eastern aesthetics, represents a serene and elegant aesthetic concept. It embodies spiritual nobility and a healthy attitude towards life aesthetics. In the language of sculpture itself, it involves the pursuit of balance. The "Purist" series currently has concrete expressions of three traditional themes: deer, dragon, and literati. I think the concreteness in sculpture is to manifest one's own character and is a realistic portrayal of one's state of mind. The composition of deer and bamboo not only represents the delicate and beautiful appearance of Eastern imagery, but I also attach great importance to their being endowed with the symbol of an upright personality. The composition of deer and fire shows the integration of movement and stillness, cold and warmth, demonstrating the aesthetic concepts of a balanced state of mind and a prosperous and harmonious life. Many of my works are colored with cyan. Cyan is like water, with a cool and calm aura. The combination of cyan and white gives people an elegant and refined scholarly air.
Most of my recent works incorporate the satisfying image of the traditional Taiji diagram. For example, in the work "Purist · Seeking Seclusion", the plump back is slightly curved, and the head turns towards the thing it is seeking. Its posture of exploring seclusion in the forest recreates the charm of the verse "By chance, I found a secluded and leisurely place, and then forgot the worldly cares. Only then did I realize that a true hermit doesn't necessarily have to be in the forest."
"Steadfast Seeker", in Eastern aesthetics, is a gentle and profound aesthetic power. My father's generation spent their whole lives farming. They were steadfast, focused, simple, and down-to-earth. In my opinion, this is the most important spirit of working hard like an ox in aesthetics. The "Steadfast Seeker" series makes a contrast and reflection on the current fast-paced life. Should we slow down and deeply cultivate the aesthetics of life?
Most of my works adopt symmetrical and slightly dynamic compositional forms. Although they may seem to lack a bit of liveliness, I hope they have an eternal charm.
My creative method is rather rational and experimental. Sculpture is a task that requires perseverance. What matters is character rather than emotion. First comes technical ability, then cultivation, and finally art. If any step is lacking, it won't be profound enough. I often think about how to transform basic skills into humanistic emotions, how to develop my own individuality out of the common education in art academies, and how to make works more pure... Good works require one to immerse oneself in them. Each work condenses the true feelings at different stages. During the creative process, each work may have to be redone several times until an ideal one is achieved. The process of sculpture creation can be very arduous, but the works should bring a sense of relaxation to everyone.
Sculpture is like a notebook of life. We can retreat into ourselves through our works, and aesthetics grows in every bit of our life. I'm Zhang Youzhi, an art worker. I hope that everyone can be a "Purist" and a "Steadfast Seeker" in life.

Materials used:

bronze