Artwork description:

Nature offers endless design inspiration, don't you agree? Here, I began by leafing (yes, leafing, excuse the pun) through images of plant forms. I was looking for something peripheral, something suggested by an image, rather than an image to copy. I came across a photograph of Japanese anemones (also known as windflowers) and what immediately caught my eye was the blurry stems catching the sunlight in the background. The camera had diffused the stems into a fat central line with brighter (or sometimes darker) and thinner parallel lines either side. So I decided to make my design about the effect of lines next to lines. The stems have buds on the end or, once the flower is gone, the seed head, which the camera had again blurred and diffused into an orb with a halo.

All I now had to do was convert this into linocut! The linocut technique offers so many opportunities for incorporating different ways of cutting into the design. I didn't want it to look like it had been drawn with a stylus on a touchscreen. I wanted to make the most of the chiselled, sharp-edged shapes left by the physical tools. The lines parallel to the stems were fiendishly difficult to cut. Despite my best efforts, I often waivered off course and cut away too much, so there was no line left. As this kept happening, I realised that a line that is sometimes there, and sometimes not, creates a sense of movement.

With the background block (this being a two-block linocut) I divided it into three sections, as a graphic device. Do you see that the lino-cutting is gradated? The lines are widest-spaced at the bottom, medium-spaced in the middle and finest at the top, eventually dispersing into just light and movement.

An original limited-edition print produced by hand in artists' quality oil-based inks on 130 gsm acid-free archival Clairefontaine Simili Japon paper. Only the best!

The artwork is sold unframed for ease and economy of shipping, but I have included some app-generated images showing it framed, for visualisation purposes.

And I now provide extra reinforcement to my packages for despatch, to ensure that they arrive with you in the condition I sent them!

Materials used:

Oil-based artists' quality printing inks on high quality acid-free archival paper

Tags:
#flowers #nature #movement #pattern #black #design #lines #stems #anemone #salmon pink 

Anémone Animée (2022)

Linocut 
by Alison Pearce

Star fullStar fullStar fullStar fullStar full 10 Artist Reviews

£59

  • Linocut on Paper
  • From a limited edition of 12
  • Size: 24 x 32cm (unframed) / 14.5 x 23cm (actual image size)
  • Signed and numbered on the front
  • Style: Unspecified
  • Subject: Flowers and plants

Loading

Artwork description
Minus

Nature offers endless design inspiration, don't you agree? Here, I began by leafing (yes, leafing, excuse the pun) through images of plant forms. I was looking for something peripheral, something suggested by an image, rather than an image to copy. I came across a photograph of Japanese anemones (also known as windflowers) and what immediately caught my eye was the blurry stems catching the sunlight in the background. The camera had diffused the stems into a fat central line with brighter (or sometimes darker) and thinner parallel lines either side. So I decided to make my design about the effect of lines next to lines. The stems have buds on the end or, once the flower is gone, the seed head, which the camera had again blurred and diffused into an orb with a halo.

All I now had to do was convert this into linocut! The linocut technique offers so many opportunities for incorporating different ways of cutting into the design. I didn't want it to look like it had been drawn with a stylus on a touchscreen. I wanted to make the most of the chiselled, sharp-edged shapes left by the physical tools. The lines parallel to the stems were fiendishly difficult to cut. Despite my best efforts, I often waivered off course and cut away too much, so there was no line left. As this kept happening, I realised that a line that is sometimes there, and sometimes not, creates a sense of movement.

With the background block (this being a two-block linocut) I divided it into three sections, as a graphic device. Do you see that the lino-cutting is gradated? The lines are widest-spaced at the bottom, medium-spaced in the middle and finest at the top, eventually dispersing into just light and movement.

An original limited-edition print produced by hand in artists' quality oil-based inks on 130 gsm acid-free archival Clairefontaine Simili Japon paper. Only the best!

The artwork is sold unframed for ease and economy of shipping, but I have included some app-generated images showing it framed, for visualisation purposes.

And I now provide extra reinforcement to my packages for despatch, to ensure that they arrive with you in the condition I sent them!

Materials used:

Oil-based artists' quality printing inks on high quality acid-free archival paper

Tags:
#flowers #nature #movement #pattern #black #design #lines #stems #anemone #salmon pink 
14 day money back guaranteeFree returns

14 day money back guaranteeLearn more

5.0

Overall Rating

Based on 10 reviews
5 stars
10
4 stars
0
3 stars
0
2 stars
0
1 stars
0

Visit Alison Pearce shop

Alison Pearce

Star fullStar fullStar fullStar fullStar full (10)

Location United Kingdom

About
What is it about printmaking? It's a combination of the artistic and the technical, and there's an element of. . . chance! When I gently peel that print off the... Read more

View all