Original artwork description:

128x168 cm (each panel 64x84cm) | Filler, oak panels, fuel hose, dried roses

In this work, I made two drawings simultaneously in wet filler while the panels were placed on the floor: one with my feet wearing plastic clogs and the other with a long stick. On the finished work, the drawing is connected with pieces of fuel hose attached to the sides of the panels. There are also three dried roses hanging from the top edge.

While doing this work, I've been thinking about the subject's relationship to work – to its function in the economic structure as labor. The usual view is that the struggle for power takes place along a dividing line, with the workers on one side and the employer on the other. However, the employer's function is more integrated into his subject. At the same time, there is a split, or alienation, in the worker between his function in the workplace and his experience as a subject. The worker stands at the intersection of the power struggle, with the employer on one side and his position as a subject on the other. The struggle for economic power in society thus takes place within the subject as worker, not between worker and employer.

I also wanted to explore the duality of the worker's loyalty and function. On one hand, there is a loyalty to the needs of the workplace, which is often at odds with the worker's personal needs. This conflict underscores the interdependence and incompatibility of these two aspects. On the other hand, the worker's function, which can be exploitative in relation to the employer, also holds a liberating force in relation to other workers. This duality suggests that only through unity can the inherent alienation within each worker be overcome.

Materials used:

Filler, oak panels, fuel hose, dried roses

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