Artwork description:

In my series *I Love This Time of Year Too*, I have photographed Lyngør through autumn, winter, and spring using Dag Alveng’s signature technique—quadruple exposure. The series is a tribute to Alveng, among others, whom I assisted for a year, and his project *I Love This Time of Year*, photographed in Manhattan in the early 2000s. Alveng’s images were created using four exposures per scene, one for each 90-degree rotation of the camera.

I have applied the same method in Lyngør. The series is part of a book project I am working on, in which I have also photographed the last 45 permanent residents of Lyngør in front of their homes. As a token of appreciation, they were invited to select an image from over 200 in *I Love This Time of Year Too*, making the residents of Lyngør co-curators of the series. Many of these photographs now hang in homes across the island.

I myself live in Lyngør as the 12th generation of my family. This car-free harbor settlement, which was awarded the title of *Europe’s Best-Preserved Village* by the EU in 1991, has deep maritime roots. Lyngør and Manhattan are vastly different places, yet they share a historical connection through seafaring and trade. New York was once a frequent port of call for sailors from Lyngør. Today, the two islands share another commonality: both have set records for the highest real estate prices in their respective countries.

Materials used:

Analogue silver gelatin print on matte fibre paper.

Tags:
#abstract #landscape #photography #conceptual 

12th of January (2024) Photograph
by Ole Brodersen

£774.03 Alert

  • Photograph on Paper
  • From a limited edition of 8
  • Size: 50 x 50 x 0.1cm (unframed) / 43 x 43cm (actual image size)
  • Signed and numbered certificate of authenticity
  • Style: Organic
  • Subject: Flowers and plants

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Artwork description
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In my series *I Love This Time of Year Too*, I have photographed Lyngør through autumn, winter, and spring using Dag Alveng’s signature technique—quadruple exposure. The series is a tribute to Alveng, among others, whom I assisted for a year, and his project *I Love This Time of Year*, photographed in Manhattan in the early 2000s. Alveng’s images were created using four exposures per scene, one for each 90-degree rotation of the camera.

I have applied the same method in Lyngør. The series is part of a book project I am working on, in which I have also photographed the last 45 permanent residents of Lyngør in front of their homes. As a token of appreciation, they were invited to select an image from over 200 in *I Love This Time of Year Too*, making the residents of Lyngør co-curators of the series. Many of these photographs now hang in homes across the island.

I myself live in Lyngør as the 12th generation of my family. This car-free harbor settlement, which was awarded the title of *Europe’s Best-Preserved Village* by the EU in 1991, has deep maritime roots. Lyngør and Manhattan are vastly different places, yet they share a historical connection through seafaring and trade. New York was once a frequent port of call for sailors from Lyngør. Today, the two islands share another commonality: both have set records for the highest real estate prices in their respective countries.

Materials used:

Analogue silver gelatin print on matte fibre paper.

Tags:
#abstract #landscape #photography #conceptual 
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Ole Brodersen

Location Norway

About
I create art as a way to explore the forces that shape both landscapes and societies—natural, historical, and global. My work, often created using long exposures and multiple exposures, captures... Read more

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