Vieville Jean-Pierre

Joined Artfinder: March 2016

Artworks for sale: 14

France

About Vieville Jean-Pierre

 
 
  • Biography

    FORMATION

     My abstract painter of life begins

    , then I become a model and commercial photographer. During this time I paint a dilettante. In the 80 years that I plan art as a means of response to my “inner necessity”. From the standpoint of engineering practice, I found in the literature and the works of masters, most of the bases relevant to my artistic expression. In terms of emotion, and it’s my sense the true source of art, I use my aesthetic feelings before everything comes to me. “I look in the chance that touches me, I appropriate it and then proposes. The random factors have not been crucial for you to read this sentence.

    KEY STEPS These are the forces of expressive writing plastic that directs my attention in the 80s. For another decade, I left an important anecdote to my work. Then, little by little I try to keep only the emotional as basic research. I think my approach today is part of the trend “Lyrical Abstraction”.

    SO My techniques are focused primarily to the oil. I cling especially to extract different materials, which seems most consistent with the expression that I want to make an emotion experienced. In this vein I have been influenced by artists attached to write the form as Egon Schiele, or more recently Hubert Berke.

    WHY ALL THIS? That’s the question I have often asked myself. The quest for the meaning of life is the biggest question that may arise rights. I do not think we should respond, but make a thousand different ways to sharpen our sensibilities, tender to the universal and bequeath our new awareness of the world gained. “Artists do not need to sharpen our sensibilities to help our neighbors find their responses.

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Biography

FORMATION

 My abstract painter of life begins

, then I become a model and commercial photographer. During this time I paint a dilettante. In the 80 years that I plan art as a means of response to my “inner necessity”. From the standpoint of engineering practice, I found in the literature and the works of masters, most of the bases relevant to my artistic expression. In terms of emotion, and it’s my sense the true source of art, I use my aesthetic feelings before everything comes to me. “I look in the chance that touches me, I appropriate it and then proposes. The random factors have not been crucial for you to read this sentence.

KEY STEPS These are the forces of expressive writing plastic that directs my attention in the 80s. For another decade, I left an important anecdote to my work. Then, little by little I try to keep only the emotional as basic research. I think my approach today is part of the trend “Lyrical Abstraction”.

SO My techniques are focused primarily to the oil. I cling especially to extract different materials, which seems most consistent with the expression that I want to make an emotion experienced. In this vein I have been influenced by artists attached to write the form as Egon Schiele, or more recently Hubert Berke.

WHY ALL THIS? That’s the question I have often asked myself. The quest for the meaning of life is the biggest question that may arise rights. I do not think we should respond, but make a thousand different ways to sharpen our sensibilities, tender to the universal and bequeath our new awareness of the world gained. “Artists do not need to sharpen our sensibilities to help our neighbors find their responses.