Sandra Janjatović

: March 2021

: 1

(2)

Serbia

 
 
  • My name is Sandra Janjatovic. I am a visual artist based in Novi Sad, Serbia, who is creating different mediums and types of art. Therefore, I best describe myself as a multidisciplinary artist. I work mostly with traditional drawing and painting, but I also work in the field of digital illustrations, animation, photography, and even sculpture. 

    Most of the time, my main visual element is a simple line. When intertwining, these lines transpose (play) between full and empty space in order to create the illusion of the full form. In my artworks, the line slowly went from being the only constructing element to being the element that is contrasting the painted parts on the canvases on some paintings.

    The inspiration for my works can be traced to nature, but not the nature that stands against the notion of the city - the nature that is universal, whose laws apply and operate in the entire universe. These laws are universal and are much larger and much more important than us and we have just begun to understand them in their broad field of action. In my artworks, I thrive towards the comprehensive and universal ideas, which are aesthetically clear and simple, based on a small number of elements, which create all physical forms of nature.

    In the process of conceptualization of my artwork, I always gravitate towards general description, which will not limit itself only to one natural occurrence, but rather on a single rule or occurrence which is applicable and present in different discourses. In that way, the artworks stay more open for interpretation, which on the other hand gives a chance to the public to incorporate their experiences in the artwork. This brings a deeper interaction between the spectators and the artwork. The artworks do not present absolute and unquestionable truth, but a basis and structure on which, later on, the spectator builds meaning.

  • 2016 - 2018

    Academy of Arts Novi Sad

    2012 - 2016

    Academy of Arts Novi Sad

  • 2019

    Palette of Youth

    First prize on group exhibition, gallery "KC Vrbas", Serbia

    2017

    International GIFEST festival

    Third prize on the international festival of GIF animations

    2016

    Sombor art saloon

    Second prize on art saloon at gallery KC "Laza Kostic", Serbia

  • : Spacetime

    : 3 Apr 2021 - 28 Dec 2017

    : KC "Laza Kostic", Sombor, Serbia

    Exhibition of drawings, paintings, and animations.

    : Spacetime

    : 11 Jun 2020 - 29 Jun 2020

    : KC "Vrbas", Vrbas, Serbia

    Exhibition of drawings, paitings and sculpture

    : Blue wave

    : 3 Feb 2020 - 8 Feb 2020

    : Parallax Art fair, Kensington Town Hall, London

    Participated in fair with series of paintings "blue wave"

    : Nature, organic, human

    : 6 Nov 2019 - 21 Nov 2019

    : SULUJ Gallery, Terazije 26/II Belgrade, Serbia

    Exhibition of relievo and sculpture

    : Artbox Project NY

    : 13 Mar 2018 - 28 Mar 2018

    : Artbox Project New York, Stricoff Gallery, New York, USA

    Participated in group exhibition with the painting

    : Flow

    : 6 Jun 2017 - 1 Jul 2017

    : Bell Art, Novi Sad, Serbia

    Exhibition of drawings

    : Singularitty

    : 11 Aug 2016 - 25 Aug 2016

    : Udas, Banja Luka, Bosnia and Herzegovina

    Exhibition of drawings and sculptures

    : Flow

    : 19 Nov 2015 - 25 Nov 2015

    : KC Fabrika, Novi Sad

    Exhibition of drawings

2016 - 2018

Academy of Arts Novi Sad

2012 - 2016

Academy of Arts Novi Sad

2019

Palette of Youth

First prize on group exhibition, gallery "KC Vrbas", Serbia

2017

International GIFEST festival

Third prize on the international festival of GIF animations

2016

Sombor art saloon

Second prize on art saloon at gallery KC "Laza Kostic", Serbia

: Spacetime

: 3 Apr 2021 - 28 Dec 2017

: KC "Laza Kostic", Sombor, Serbia

Exhibition of drawings, paintings, and animations.

: Spacetime

: 11 Jun 2020 - 29 Jun 2020

: KC "Vrbas", Vrbas, Serbia

Exhibition of drawings, paitings and sculpture

: Blue wave

: 3 Feb 2020 - 8 Feb 2020

: Parallax Art fair, Kensington Town Hall, London

Participated in fair with series of paintings "blue wave"

: Nature, organic, human

: 6 Nov 2019 - 21 Nov 2019

: SULUJ Gallery, Terazije 26/II Belgrade, Serbia

Exhibition of relievo and sculpture

: Artbox Project NY

: 13 Mar 2018 - 28 Mar 2018

: Artbox Project New York, Stricoff Gallery, New York, USA

Participated in group exhibition with the painting

: Flow

: 6 Jun 2017 - 1 Jul 2017

: Bell Art, Novi Sad, Serbia

Exhibition of drawings

: Singularitty

: 11 Aug 2016 - 25 Aug 2016

: Udas, Banja Luka, Bosnia and Herzegovina

Exhibition of drawings and sculptures

: Flow

: 19 Nov 2015 - 25 Nov 2015

: KC Fabrika, Novi Sad

Exhibition of drawings

 

My name is Sandra Janjatovic. I am a visual artist based in Novi Sad, Serbia, who is creating different mediums and types of art. Therefore, I best describe myself as a multidisciplinary artist. I work mostly with traditional drawing and painting, but I also work in the field of digital illustrations, animation, photography, and even sculpture. 

Most of the time, my main visual element is a simple line. When intertwining, these lines transpose (play) between full and empty space in order to create the illusion of the full form. In my artworks, the line slowly went from being the only constructing element to being the element that is contrasting the painted parts on the canvases on some paintings.

The inspiration for my works can be traced to nature, but not the nature that stands against the notion of the city - the nature that is universal, whose laws apply and operate in the entire universe. These laws are universal and are much larger and much more important than us and we have just begun to understand them in their broad field of action. In my artworks, I thrive towards the comprehensive and universal ideas, which are aesthetically clear and simple, based on a small number of elements, which create all physical forms of nature.

In the process of conceptualization of my artwork, I always gravitate towards general description, which will not limit itself only to one natural occurrence, but rather on a single rule or occurrence which is applicable and present in different discourses. In that way, the artworks stay more open for interpretation, which on the other hand gives a chance to the public to incorporate their experiences in the artwork. This brings a deeper interaction between the spectators and the artwork. The artworks do not present absolute and unquestionable truth, but a basis and structure on which, later on, the spectator builds meaning.