1998 - 2005
UK/London .Royal Academy of Arts
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If this is real art, fine art, then it is expensive
If there is no art in work, or if this is but primitive imitation of art, it costs no more than the paint spent on it, that’s all! /Russell Korr !!
The technology of the application of both the priming and the paint comes in a rigorous order, based on the established canons, which adds to the paintings depth and transparency, like air. Yet this is by no means some random side effect. Quite the opposite: this is the result of the many years of exploring the technique. Each painting of this kind is a piece of art and the subject of study. It is of interest to art collectors and connoisseurs of painting of the olden times...
I strongly prioritize professionalism and taste in painting. This is why I distinguish and am very sensitive to the subtle line between professional artists and décor artists. For me professionalism and the repository of experience and mastership that comes with it is the crucial quality. I pursue it in my career by constantly exploring and examining the technologies of the past and also looking for merited fine artists in the contemporary world.
I regard my main teachers to be Turner, John Everett Millais,John William Waterhouse1998 - 2005
UK/London .Royal Academy of Arts
1998 - 2005
UK/London .Royal Academy of Arts
If this is real art, fine art, then it is expensive
If there is no art in work, or if this is but primitive imitation of art, it costs no more than the paint spent on it, that’s all! /Russell Korr !!
The technology of the application of both the priming and the paint comes in a rigorous order, based on the established canons, which adds to the paintings depth and transparency, like air. Yet this is by no means some random side effect. Quite the opposite: this is the result of the many years of exploring the technique. Each painting of this kind is a piece of art and the subject of study. It is of interest to art collectors and connoisseurs of painting of the olden times...
I strongly prioritize professionalism and taste in painting. This is why I distinguish and am very sensitive to the subtle line between professional artists and décor artists. For me professionalism and the repository of experience and mastership that comes with it is the crucial quality. I pursue it in my career by constantly exploring and examining the technologies of the past and also looking for merited fine artists in the contemporary world.
I regard my main teachers to be Turner, John Everett Millais,John William WaterhousePay a 10% deposit now, receive your artwork, then spread the remaining cost over your chosen time frame.
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