Rod McIntosh

Joined Artfinder: March 2021

Artworks for sale: 6

United Kingdom

About Rod McIntosh

 
 
  • Biography

    Process is central within the painting practice of Rod McIntosh. His mark making has a fluidity and honesty that reveals itself through a muted pallet of monotones. This lends the work a striking and minimal appearance, which coalesces with the quiet sensitivity to his materials, time invested and action.

    Through rehearsal, the mark-making is an embodiment of a gestural flow with the breath that is privately performed.

    For McIntosh the provenances and particular characteristics of each material are of great importance. Following closely traditional eastern recipes for archival inks and pastes he works upon delicate Chinese papers that absorb every fluid movement as he accepts the brevity of a final committed stroke.

    Presence and concentration is key to his practice in cultivating a meditative quality. Examining his temporal gestures, alongside ideas of mindfulness, permanence, attachment and acceptance.

  • Links
  • Education

    1988 - 1992

    Sheffield Hallan University

  • Awards

    2017

    Secret Art Prize

    Shortlisted artist. Awarded gallery representation with Curious Duke.

    Show more awards Hide

    2017

    National Open Art Competition

    Emerging Artist Award

    2015

    Thirty for Thirty

    Winner of People's Choice Award.
  • Upcoming Events

    There are no upcoming events

Links


Education

1988 - 1992

Sheffield Hallan University


Awards

2017

Secret Art Prize

Shortlisted artist. Awarded gallery representation with Curious Duke.

Show more awards Hide

2017

National Open Art Competition

Emerging Artist Award

2015

Thirty for Thirty

Winner of People's Choice Award.

There are no upcoming events


 

Biography

Process is central within the painting practice of Rod McIntosh. His mark making has a fluidity and honesty that reveals itself through a muted pallet of monotones. This lends the work a striking and minimal appearance, which coalesces with the quiet sensitivity to his materials, time invested and action.

Through rehearsal, the mark-making is an embodiment of a gestural flow with the breath that is privately performed.

For McIntosh the provenances and particular characteristics of each material are of great importance. Following closely traditional eastern recipes for archival inks and pastes he works upon delicate Chinese papers that absorb every fluid movement as he accepts the brevity of a final committed stroke.

Presence and concentration is key to his practice in cultivating a meditative quality. Examining his temporal gestures, alongside ideas of mindfulness, permanence, attachment and acceptance.