About Richard K. Jolley
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Awards
33
Multiple
Selected Awards
2022 – 1st Place, Portrait Society of America, Animals as the Subject
2021 – Finalist, Portrait Society of America, Non-Commissioned Portrait
2021 – 1st Place, Abstract, Boldbrush Art Contest & Exhibit
2021 – Finalist, Representative, Boldbrush Art Contest & Exhibit
2021 – Honorable Mention, Modern Abstract Competition, Eccles Art Center, Ogden, Utah
2016 – Honorable Mention, Fall Salon, Logan Fine Art Gallery, Logan, Utah
2013 – 1st Runner up, Salon D’Automne, Logan Fine Art Gallery, Logan, Utah
2000 – Melvin C. Warren Award for Best Oil, Bosque Conservatory of Fine Art, Clifton, Texas
1998 – Conservatory Art Patrons Purchase Award, Bosque Conservatory of Fine Art, Clifton, Texas
1998 – Melvin C. Warren Award for Best Oil, Bosque Conservatory of Fine Art, Clifton, Texas
1997 – Best Pastel, Western Spirit Art Show, Old West Museum, Cheyenne, Wyoming
1995 – Juror’s Award, Oil Painters of America, Mountain Regional Show,
2022 – 1st Place, Portrait Society of America, Animals as the Subject
2021 – Finalist, Portrait Society of America, Non-Commissioned Portrait
2021 – 1st Place, Abstract, Boldbrush Art Contest & Exhibit
2021 – Finalist, Representative, Boldbrush Art Contest & Exhibit
2021 – Honorable Mention, Modern Abstract Competition, Eccles Art Center, Ogden, Utah
2016 – Honorable Mention, Fall Salon, Logan Fine Art Gallery, Logan, Utah
2013 – 1st Runner up, Salon D’Automne, Logan Fine Art Gallery, Logan, Utah
2000 – Melvin C. Warren Award for Best Oil, Bosque Conservatory of Fine Art, Clifton, Texas
1998 – Conservatory Art Patrons Purchase Award, Bosque Conservatory of Fine Art, Clifton, Texas
1998 – Melvin C. Warren Award for Best Oil, Bosque Conservatory of Fine Art, Clifton, Texas
1997 – Best Pastel, Western Spirit Art Show, Old West Museum, Cheyenne, Wyoming
1995 – Juror’s Award, Oil Painters of America, Mountain Regional Show,
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Biography
There is something about those fleeting moments of patterns of light that compels me to capture and share them.
I believe I am mainly influenced by tonalism and impressionism. For the most part, what concerns me the most when creating a work of art, is good color, believable light quality, and making strong, interesting value proportions. I apply these principles to all my subjects, whether they are realistic portrayals or non-representative works.
