About Raj Maji
Links
Education
2011 - 2014
DMS Lalithakala Academy, Mysore, India
2003 - 2005
Zee Institute of Creative Art, Mumbai
1997 - 2000
Bhartiya Nandanik Parishad
Awards
2000
Merit Special Prize
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Previous events
Event: Muse Sublime
Dates: 9 May 2022 - 15 May 2022
Group Art Show
Event: Chitra Santhe
Dates: 4 Jan 2021 - 17 Jan 2021
Online Art Exhibition
Event: Aura Aesthetica
Dates: 17 Feb 2020 - 23 Feb 2020
Group Art Show
Event: Enamoured Ecstacy
Dates: 9 Sep 2019 - 15 Sep 2019
Solo Art exhibition
Event: The Lustre of Life
Dates: 6 May 2019 - 12 May 2019
Group Art Show
Event: Sublime Confluence II
Dates: 17 Feb 2019 - 23 Feb 2019
Group Art Show
Event: Anwesh
Dates: 25 Dec 2018 - 31 Dec 2018
Two men show
Event: Golden Dreams
Dates: 11 Nov 2018 - 18 Nov 2018
Group Art show
Event: Kala Sankalana
Dates: 8 Apr 2018 - 15 Apr 2018
Group Art Show
Event: Sublime Confluence
Dates: 3 Dec 2017 - 8 Dec 2017
This was a group exhibition.
Event: Abhyantara II
Dates: 17 Dec 2016 - 23 Dec 2016
It was a group Exhibition.
Event: All India Fine Art and Craft Society National Exhibition
Dates: 25 Dec 2015 - 3 Jan 2016
Painting was been selected for the National Exhibition by AIFACS.
Event: Abhyantara I
Dates: 16 Oct 2015 - 15 Nov 2015
It was a two men show.
Event: The Golden Cage
Dates: 4 Oct 2015 - 10 Oct 2015
It was a group exhibition.
Event: Ripples of Integration
Dates: 16 Apr 2015 - 20 Apr 2015
It was a group Exhibition.
Event: The Green Window
Dates: 3 Nov 2013 - 8 Nov 2013
It was a group show.
Biography
I am an artist to experience the joy and blissfulness of beauty in every element and share that to the entire world. I always try to keep myself alive in my world and try to let people have at least a little bliss experiencing the artworks, may be for a fraction of second. I have always tried to express my emotions towards life and truth through my paintings and experimented to depict it through the language of Art. To me Art is a silent sublime journey towards truth through various stages, layer by layer where the destination is Infinite.
I observe everything around me (inside or outside) and try to portray what appeals to me with loosely used brushstrokes. Some of my works basically deal with Indian aesthetics which is evident from the economy of lines used and simplicity of expression. Sometime the paintings display a subtle understanding of spiritualism and offer a bridge between realism and abstraction (tangible and the intangible world). I emphasize on Indian principles, making extensive use of Indian motifs. What I try to express is 'Navarasa', the nine expressions.
