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Using the human face or figure as a superficial subject matter, my paintings deal with in-depth color and composition analysis within the subjectively selected frames.
As a vehicle, I’m discovering and inventing flat abstract elements or “objects” located on the surface of the image, serving as building blocks and recognized by the human eye as the language of structure and space.
Using the human face or figure as a superficial subject matter, my paintings deal with in-depth color and composition analysis within the subjectively selected frames.
As a vehicle, I’m discovering and inventing flat abstract elements or “objects” located on the surface of the image, serving as building blocks and recognized by the human eye as the language of structure and space.
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