About Karen Rieger
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Education
1984 - 1988
Ontario College of Art
1981 - 1983
The Art Center, Central Technical School
1978 - 1981
University of Toronto
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Event: Featured Artist
Dates: 1 Apr 2023 - 30 Apr 2023
Still Life & Figurative Paintings
Event: Flora & Fauna
Dates: 4 Jun 2022 - 25 Jun 2022
The dictionary describes “Flora and Fauna” as the plants and animals that are characteristic of a region, period, or special environment. During the past couple of years, the environment for many of us has been defined by being at home, sitting in a garden or walking in nature. This series of paintings explores the beauty, peace and comforts that may be found amongst the domestic Flora and Fauna of home. This focus has always been central to my work, and recent events have added a layer of significance and poignancy to that ongoing theme.
Event: 25 Springs
Dates: 3 Apr 2021 - 24 Apr 2021
Group Exhibition Celebrating Fountainhead's 25th Anniversary
Event: OCADU + Gowlings
Dates: 1 Apr 2017 - 3 Apr 2017
Group Exhibition of OCADU Alumni
Event: Flourish
Dates: 6 Apr 2013 - 27 Apr 2013
Colourful Still Life and Figurative Paintings
Event: Karen Rieger Solo Exhibition
Dates: 3 Nov 2012 - 24 Nov 2012
Still Life & Figurative Paintings
Event: Karen Rieger Solo Exhibition
Dates: 1 May 2010 - 22 May 2010
Still Life & Figurative Work
Event: Evening
Dates: 1 Feb 2010 - 22 Feb 2010
Still Life & Figurative Works
Biography
My paintings are a rich pastiche comprised of diverse inspirations such as the avant-garde and post-impressionist movements of the 19th and 20th centuries, European textile patterns and sources derived from my immediate environment. A dialogue between my imagination and the past informs the work.
The painting begins to reveal itself as the brush interacts with the canvas. There are no preparatory sketches. The process of creating the painting is intuitive and remains exciting and spontaneous. The composition is drawn directly onto the canvas with conte´ or brush, beginning with the figure or a vase of flowers, and then creating the surrounding environment. When the composition is completed with the various elements in place, the underpainting is begun. Layers of paint are added to the surface, allowing the colour of the underpainting to show through, creating richness and a depth to the surface colour.
The faces are derived from my imagination, the features generalized to suggest universality rather than a specific person. Inspiration for the still life paintings may come from a bouquet on my table, or many times they simply emerge luxuriantly and fully formed onto the canvas.