Isabellangela Germinario

Joined Artfinder: June 2020

Artworks for sale: 61

(1)

Italy

About Isabellangela Germinario

 
 
  • Biography
    My art practice was born and developed through the representation of the human body.
    Over the years I have focused more and more on the depiction of limbs, in particular: legs and arms.
    Limbs, are both the protagonists of my recurring dreams and physical issues that were part of me during my early years and while growing up.
    Over time, the limbs represented undergo a transformation , they are no longer just arms or just legs, they become hybrid forms, they become branches, they become rocks, they become earth, they become leaves.
    At the same time, trees, branches, rocks, earth, no longer remain just that but call up bodies; there is no longer a clear boundary between one and the other but an ambiguous representation of these forms trying to reconnect with their origins.


  • Links
  • Education

    2015 - 2019

    Fine Arts Academy, Bologna (Italy)

  • Awards

    2018

    I° Prize, Ceneda and Tarzo county artistic prize.

    Prize for emerging contemporary artists.
  • Upcoming Events

    There are no upcoming events

Links


Education

2015 - 2019

Fine Arts Academy, Bologna (Italy)


Awards

2018

I° Prize, Ceneda and Tarzo county artistic prize.

Prize for emerging contemporary artists.

There are no upcoming events


 

Biography

My art practice was born and developed through the representation of the human body.
Over the years I have focused more and more on the depiction of limbs, in particular: legs and arms.
Limbs, are both the protagonists of my recurring dreams and physical issues that were part of me during my early years and while growing up.
Over time, the limbs represented undergo a transformation , they are no longer just arms or just legs, they become hybrid forms, they become branches, they become rocks, they become earth, they become leaves.
At the same time, trees, branches, rocks, earth, no longer remain just that but call up bodies; there is no longer a clear boundary between one and the other but an ambiguous representation of these forms trying to reconnect with their origins.