About Beata Belanszky Demko

“Beata Belanszky - Demko, together with God, is a co-creator of the world, a Concreatrix. She creates and destroys multiple worlds daily. Solar flares, sea floods, and iceberg convulsions line up, and Beáta, like a Herculean Amazon, comprehends these world-formulas. Each piece of hers is imbued with a hyper-realistic authenticity. Honestly, year after year, I follow Beáta’s creative furor with hidden concern. How long can this nerve, bone, and marrow-consuming creation be sustained? Somehow, she models creation from nothingness. And although we know she brings forth pure imaginary landscapes, we do not feel even a hint of falseness. In an intensely magical compression, the blue is real water, the above is sky, the raging sun is the light burst, and the piled-up earth layers are the blacks. In the center of the picture, the starting point opens up, like a firing pin. Beáta’s landscapes enrich the world’s geography. In a certain sense, this creation structure embodies par excellence the painterliness. Ex nihilo nihil fit. Instead: ex nihilo pantos fit. Beáta derives everything from nothingness.“ - Kamil Turai - art philosopher - Hungary, 2024

"The Hungarian artist Beata Belanszky Demko is inspired, at a young age, by the image, which she discovers through her father's profession as a photographer. Later, she found a more final form of free expression in painting, which she shares with several artists all over the world in the context of the "Transylvanian Artists Community" during gatherings or collective exhibitions.

The artist's gesture is at first guided by a feeling of peace, harmony and silence as she paints. She is intuitive and her creation unfolds as her imagination expands. The process therefore is what is most at stake: let the colours express themselves, the shapes come together, let the paint come to life through the emotions of painting. Oil or acrylic, paint brushes, brushes or knives, the artist can use her tools to explore her deeper self and become an observer or witness to the artistic elaboration of her creation, to what she calls the "miracle" of her work.

Her compositions are fluid, transparent, dare to confront adversaries, to mix geometric elements with supple shapes, muted tones with luminous shades, matter with transparency. The dreamlike landscapes or sunsets that emerge from her works are the reflection of the human being in all its complexity and greater truth." - Carré d'Artistes Gallery