About Andrejs Ko
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Education
1988 - 1994
Latvian Academy of Art,
1881 - 1988
Janis Rozentāls Riga Art Secondary School
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Biography
Andrejs Dinvalds has been a professional artist and
designer for more than 30 years. From 2009 he lives and works in the UK.
Andrejs Ko (Andrejs Dinvalds) was born in Riga, Latvia in 1970. Having finished
the Janis Rozentāls Riga Art Secondary School in 1988, he went on to study at
the Latvian Academy of Art, graduating from the Department of Environment
Design in 1994.
While still a student he took part in many group
exhibitions in Latvia, Russia, Spain, Italy, Belgium, Israel, USA, Canada and
other states. He has had one-man show in Riga: „Closing one eyes” (art gallery ag7, 2008), „Pieces of reconquered space” (art
gallery Slazds, 2009), „Xenotopia” (art gallery Mākslas Banka, 2013), „Xenotopia II” (art gallery Mākslas Banka, 2014), „Silence between two thoughts” (art gallery Happy Art Museum, 2018), „Blackbird’s Meal in a Sunlit Garden” (Tifāna
Art Gallery, 2024). The artist’s works can be found in private
collections in Latvia, Estonia, Russia, Germany, USA, Canada, Australia and
elsewhere.
Andrejs Ko creative path includes a diversity of
media. He worked for a long time (1999–2008) with one of the leading media
companies in the Baltic states as their head artist and responsible for the
visual design of several television channels. Already in the 1980 and 90s Andrejs Ko had also proved himself to be an
outstanding painter and currently his talent as an artist manifests itself in
painting.
Andrejs Ko works in acrylic on canvas, as well as
experimenting in his own technique to create both metaphorical figural
compositions and stylised still life’s, landscapes and portraits.
The artist has paid special attention in his works to the research and
discovery of the manifold properties of materiality. He achieves fragility and
depth in texture through careful multi-layered painting. The surface is
enriched by a realistically clear and detailed drawing in contrast with the
interplay of pronouncedly ornamental and expressively chaotic lines. The result
is a painterly polyphony of nuances and rhythms, which creates a space for
thought associations and sensations to unravel.