In the 50s and until 1973 when Roe Vs. Wade passed, 1.5 million young single women, many of them children themselves, were forced to give up their newborn babies in closed adoptions. Pregnant, confused and vulnerable, they were shunned by family and friends and expelled from school. They were under enormous social and family pressure, often being coerced or outright forced to give up their babies. The standard treatment they faced was being sent away to 'maternity homes' to have their children alone, often treated with cold contempt by doctors, nurses, and clergy. Of course, the long-term effects on these girls and women, and on the children they gave up for adoption, were debilitating. Mothers who chose to keep their babies carried trauma and guilt and the child bore the stigma of being illegitimate, resulting in diminished legal rights. My mother was one of these young women who gave up her daughter and she is immortalized in “Mommy”.
This work includes the face of a vintage dryer door giving it a weight of approximately 30 lbs (13 kilos).
MDO, Plexi, Color print, Acrylic, photo transfer, isolation coat, varnish, vintage dryer door
£6,549.75 Sold
This artwork has sold, but the artist is accepting commission requests. Commissioning an artwork is easy and you get a perfectly personalised piece.
In the 50s and until 1973 when Roe Vs. Wade passed, 1.5 million young single women, many of them children themselves, were forced to give up their newborn babies in closed adoptions. Pregnant, confused and vulnerable, they were shunned by family and friends and expelled from school. They were under enormous social and family pressure, often being coerced or outright forced to give up their babies. The standard treatment they faced was being sent away to 'maternity homes' to have their children alone, often treated with cold contempt by doctors, nurses, and clergy. Of course, the long-term effects on these girls and women, and on the children they gave up for adoption, were debilitating. Mothers who chose to keep their babies carried trauma and guilt and the child bore the stigma of being illegitimate, resulting in diminished legal rights. My mother was one of these young women who gave up her daughter and she is immortalized in “Mommy”.
This work includes the face of a vintage dryer door giving it a weight of approximately 30 lbs (13 kilos).
MDO, Plexi, Color print, Acrylic, photo transfer, isolation coat, varnish, vintage dryer door
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