House of Cards follows my continuing exploration of geometric, hard edge painting.
The vast vocabulary of modern abstract art from the early 1900s to today, is always whirling inside of my brain. This painting feeds off of Brooklyn Strut and again starts as a drawn graphite grid which is then manipulated by spontaneous decisions concerning the amount of space between lines and what would happen when certain vertical shifts occur and what kind of composition arise.
I've been repeating certain colors such as Powder Blue, Light Olive, Violet, Magenta, Orange in different combinations. I believe this influence comes from the 1970s Color Field, Hard Edge and Op Art artists such as Kenneth Noland, Morris Louis, Helen Frankenthaler, Sam Gilliam and others.
Acrylic paint, matte medium, gesso
2 Artist Reviews
£1,911.44
House of Cards follows my continuing exploration of geometric, hard edge painting.
The vast vocabulary of modern abstract art from the early 1900s to today, is always whirling inside of my brain. This painting feeds off of Brooklyn Strut and again starts as a drawn graphite grid which is then manipulated by spontaneous decisions concerning the amount of space between lines and what would happen when certain vertical shifts occur and what kind of composition arise.
I've been repeating certain colors such as Powder Blue, Light Olive, Violet, Magenta, Orange in different combinations. I believe this influence comes from the 1970s Color Field, Hard Edge and Op Art artists such as Kenneth Noland, Morris Louis, Helen Frankenthaler, Sam Gilliam and others.
Acrylic paint, matte medium, gesso
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This artwork is sold by Juan Jose Hoyos Quiles from United States